Horas

In 'Horas,' Jorge Drexler captures the essence of a passionate and all-consuming love affair. The song's lyrics paint a vivid picture of two lovers who are so deeply engrossed in each other that they lose track of time. The opening lines, 'No queríamos dormir, nos queríamos comer el mundo,' set the tone for the song, highlighting their insatiable desire to experience life and each other to the fullest. This sense of urgency and intensity is a recurring theme throughout the song, as the lovers move from the bed to the 'alfombra voladora' (flying carpet), symbolizing their journey through a dreamlike state of bliss.

The metaphor of being 'colgados como dos computadoras' (hanging like two computers) suggests a deep connection and synchronization between the lovers, akin to two computers linked in perfect harmony. This imagery is further reinforced by the repeated refrain of 'Horas, horas,' emphasizing the passage of time as they remain entwined in each other's presence. The line 'meta echar carbón en la locomotora' (constantly shoveling coal into the locomotive) evokes the idea of fueling their passion and keeping the fire of their love burning brightly.

As the song progresses, Drexler reflects on the physical and emotional toll of their intense relationship. The mention of the 'colchón tan maltratado' (the battered mattress) serves as a metaphor for the wear and tear of their love, yet they continue to surrender to the 'remolino' (whirlpool) of their emotions. The full moon greeting them on the balcony symbolizes the fleeting nature of their moments together, as they choose to 'dejar morir la pena' (let the sorrow die) and live in the present. 'Horas' is a beautiful ode to the timeless and transformative power of love, capturing the euphoria and vulnerability that come with it.