El Títere

Jorge Luis Borges' song 'El Títere' paints a vivid portrait of a compadrito, a figure emblematic of the Buenos Aires underworld. The compadrito, often seen as a dandy or a small-time thug, is depicted as the 'patrón y el ornato' (the boss and the ornament) of the less reputable houses in the Triunvirato neighborhood. Borges' lyrics describe this character's meticulous appearance, with his black hat, clothes, and shiny shoes, symbolizing a blend of elegance and menace. The compadrito's ability to mark his territory with a swift, cat-like move underscores his agility and dominance in his environment.

The song delves into the compadrito's life, highlighting his skills as a dancer and gambler, and his ambiguous racial background, possibly 'chino o mulato' (Chinese or mulatto). Despite his rough exterior, he is cherished by the local community, particularly the women, who appreciate the joy and excitement he brings into their lives. This duality of being both feared and loved adds depth to his character, making him a complex figure in the social fabric of the neighborhood.

However, Borges reminds us of the inevitable fate that awaits everyone, regardless of their prowess or charm. The compadrito's life is abruptly ended by a gunshot at the corner of Thames and Triunvirato, a stark reminder of the ever-present danger in his world. The final lines, 'Se mudó a un barrio vecino / El de la quinta del ñato' (He moved to a neighboring barrio / The one of the snub-nosed), poetically signify his death and transition to the afterlife. Borges' 'El Títere' is a poignant exploration of the fleeting nature of life, the allure of danger, and the complex identities within the urban landscape of Buenos Aires.