Na Rua António Maria

José Afonso José Afonso

A Satirical Portrait of Political Hypocrisy

José Afonso's song "Na Rua António Maria" is a poignant critique of political and social dynamics in Portugal. The song is steeped in metaphor and historical references, painting a vivid picture of a society grappling with corruption, hypocrisy, and the false promises of change. The Rua António Maria, a seemingly ordinary street, becomes a symbol of the broader national condition, where the 'confraria' or brotherhood represents the entrenched powers that be.

Afonso's lyrics are rich with irony and sarcasm, particularly in the repeated refrain about people 'lamber as botas' (licking the boots) and 'comer à mão' (eating from the hand) of a new Pina Manique. This reference to Diogo Inácio de Pina Manique, a historical figure known for his authoritarian rule, underscores the cyclical nature of political oppression. Despite the promises of new leadership with 'outra lábia' (another way of speaking) and 'outro tique' (another mannerism), the fundamental power structures remain unchanged.

The song also touches on themes of disillusionment and resignation. The 'Zé Povo' (common people) who have gone to France symbolize the diaspora and the search for better opportunities abroad, reflecting a sense of hopelessness at home. The imagery of the 'patriótica espia' (patriotic spy) who knows where to bite and the 'capataz da fazenda' (farm overseer) selling the estate to the highest bidder further illustrate the pervasive sense of betrayal and exploitation. Through his evocative lyrics, Afonso captures the essence of a society caught in a perpetual cycle of false hope and enduring struggle.

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  1. Natal Dos Simples
  2. Canção De Embalar
  3. Cantares de Andarilho
  4. Canto Moço (Filhos de Madrugada)
  5. Comboio Descendente
  6. Em Terras de Trás-os Montes
  7. Saudades de Coimbra
  8. Entrudo
  9. Fui À Beira do Mar
  10. S. Macaio
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