Vira de Coimbra

José Afonso José Afonso

The Timeless Love and Traditions of Coimbra

“Vira de Coimbra” by José Afonso is a heartfelt ode to the city of Coimbra, a place renowned for its rich cultural heritage and academic traditions. The song opens with a reflection on the fleeting nature of student love, suggesting that it typically doesn't last long. However, the narrator's love is an exception, enduring through time. This enduring love can be seen as a metaphor for the deep, lasting connection that many people feel towards Coimbra, a city that leaves a lasting impression on its inhabitants and visitors alike.

The lyrics then highlight three quintessential elements that define Coimbra: guitars, beautiful women (tricanas), and the iconic black capes worn by students. These elements paint a vivid picture of the city's vibrant cultural scene and its deep-rooted traditions. The mention of guitars alludes to the traditional Fado music, which is an integral part of Coimbra's identity. The tricanas, with their beauty, represent the charm and allure of the city's people, while the black capes symbolize the academic spirit and the historical significance of the University of Coimbra.

In the chorus, the song shifts to a broader celebration of Portuguese culture, invoking the image of Portugal as a land of troubadours and songs. The dance with the girls, described as a roda (circle), symbolizes unity and the joy of communal celebrations. The final verse brings a touch of melancholy, as the narrator speaks of fetching water from the Mondego River, only to return with an empty jug, symbolizing unfulfilled desires or lost hopes. This poignant image underscores the bittersweet nature of nostalgia and the passage of time, themes that resonate deeply in the context of Coimbra's storied past.

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  1. Natal Dos Simples
  2. Canção De Embalar
  3. Cantares de Andarilho
  4. Canto Moço (Filhos de Madrugada)
  5. Comboio Descendente
  6. Em Terras de Trás-os Montes
  7. Saudades de Coimbra
  8. Entrudo
  9. Fui À Beira do Mar
  10. S. Macaio
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