Mandria (part. Alberto Echagüe)

Juan D'arienzo Juan D'arienzo

Honor and Confrontation in the Tango of Juan D'arienzo

Juan D'arienzo, known as the 'King of the Beat,' was a prominent figure in the world of tango, bringing a lively and rhythmic style to the genre. In 'Mandria,' featuring Alberto Echagüe, D'arienzo delves into themes of honor, confrontation, and personal integrity. The song's lyrics paint a vivid picture of a man who is ready to defend his honor at any cost, even if it means engaging in a physical duel.

The protagonist of the song offers his poncho and even his knife, signifying his willingness to face any challenge head-on. The mention of the 'cancha' (field) where the duel will take place highlights the traditional setting for such confrontations, often seen in rural Argentine culture. The protagonist's confidence is evident as he assures that he will not back down or show any sign of weakness, emphasizing his courage and determination.

The song also touches on the concept of 'mandria,' a term used to describe a cowardly man. The protagonist expresses disdain for such individuals, asserting his own bravery and readiness to fight for his honor. The final lines reveal a sense of betrayal and retribution, as the protagonist tells the coward to leave with the woman, but not before he has exacted his revenge. This narrative reflects the deep-seated values of honor and personal pride that are central to the tango tradition, making 'Mandria' a powerful and evocative piece.

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  2. Trago Amargo (part. Alberto Echagüe)
  3. Un Vals Para Mamá (part. Mario Bustos)
  4. Nada Más (part. Jorge Valdez)
  5. Paciencia (part. Alberto Echagüe)
  6. Embrujamiento (part. Juan Carlos Lamas)
  7. Che Existencialista (part. Alberto Echagüe)
  8. Color Cielo (part. Armando Laborde)
  9. Porque Tú Me Lo Pides (part. Alberto Echagüe)
  10. Mandria (part. Alberto Echagüe)
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