The Remains

Juan Son's 'The Remains' is a haunting exploration of existential themes, wrapped in a surreal and almost dystopian lyrical landscape. The song opens with a desire to drink and dream until the narrator sees their own 'factions' and bursts like lightning. This imagery suggests a longing for self-discovery and a transformative experience, even if it comes with a sense of fragmentation or destruction. The use of 'factions' could imply different aspects of the self, hinting at an internal conflict or a multifaceted identity that the narrator is trying to understand or reconcile.

The recurring plea to 'escape for me' and 'turn into the huge trash we dream' paints a picture of a world where dreams and reality are intertwined with waste and decay. The 'lonely junkyard' serves as a metaphor for a desolate mental or emotional state, where discarded dreams and aspirations lie. This imagery evokes a sense of isolation and abandonment, yet there's a strange beauty in the idea of floating amidst the remnants of what once was. The junkyard could symbolize the remnants of past experiences, relationships, or even societal constructs that have been left behind.

The repeated lines 'feel, you can feel, you can heal' introduce a glimmer of hope amidst the desolation. Despite the bleakness of the junkyard, there's an underlying message that healing and emotional connection are possible. The question 'you can feel?' challenges the listener to engage with their own emotions and the remains of their past. Juan Son's ethereal and experimental musical style complements these themes, creating an immersive experience that invites introspection and emotional exploration. The song ultimately leaves us pondering the nature of our own 'remains' and the possibility of finding beauty and healing in the midst of decay.