Critical

Kant's song 'Critical' delves into the complexities and contradictions of living a double life, where the artist navigates between legality and criminality. The lyrics paint a vivid picture of a life fraught with danger, moral ambiguity, and the constant threat of being caught. Kant opens with the admission of leading a 'double life,' feeling as though a demon is dubbing his actions. This metaphor suggests an internal struggle, where his darker impulses often take control. The mention of evading the police and the uncertainty of when one might be blamed highlights the precariousness of his existence.

The chorus, 'Sou poliglota quando o assunto é pó e Glock,' translates to 'I am a polyglot when it comes to powder and Glock,' indicating his fluency in the languages of drugs and violence. This line underscores his deep entanglement in criminal activities from a young age, as he mentions being a criminal since he was nine. The juxtaposition of 'dirty work, clean money' reflects the paradox of his life—engaging in illegal activities to achieve financial stability and decorate his safe.

Kant also touches on personal relationships and mental health. He references a past lover's dissatisfaction and the emotional toll of being separated from his children. The line 'Quase morri há dois dias atrás' ('I almost died two days ago') reveals a brush with death, exacerbated by substance abuse and sleep deprivation. The imagery of dividing his soul into 'horcruxes'—a reference to the Harry Potter series—suggests a fragmented identity, further complicating his sense of self. The song concludes with a reflection on his public persona and the financial costs of maintaining it, adding another layer to the theme of duality.