Labios

Kapanga Kapanga

A Cry for Freedom: Kapanga's 'Labios'

Kapanga's song 'Labios' is a raw and poignant commentary on the socio-political landscape of Argentina. The lyrics paint a vivid picture of a country in turmoil, where the future seems bleak and the present is marred by poor decisions from those in power. The opening lines, 'Casi nunca puedo tener lo que quiero / Vivo en Argentina, el futuro que se viene,' set the tone for a narrative of frustration and disillusionment. The mention of 'boludos que deciden mal' (fools who make bad decisions) highlights the artist's disdain for the political leaders who have failed the people, leading to a situation where basic needs like food and a decent living are hard to come by.

The chorus, 'Me pinto los labios y salgo a caminar, / llevo puesto los tacos de mamá,' introduces a powerful metaphor. By painting his lips and wearing his mother's high heels, the narrator adopts a form of protest and self-expression. This act can be seen as a defiance against societal norms and a way to reclaim some form of control and identity in a world that feels increasingly oppressive. The repetition of this line underscores its significance, suggesting that in the face of systemic failure, personal acts of rebellion and self-expression become vital.

The song also touches on the irony and injustice within the political system, as seen in the lines 'que ironía, el congreso tras las rejas / y ellos sin condena.' Here, Kapanga points out the hypocrisy of a government that is supposed to serve the people but instead operates behind bars of corruption and impunity. The imagery of being 'a la deriva' (adrift) and without a 'balsa en la cual naufragar' (raft to sink on) further emphasizes the sense of hopelessness and abandonment felt by the populace. 'Labios' is not just a song; it's a powerful statement on the need for change and the resilience of the human spirit in the face of adversity.

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  1. Demasiado
  2. Quiero llenarte de mi
  3. Locos
  4. El Beso Del Adiós
  5. Quiero Mas
  6. Una nube
  7. Postal
  8. El Universal
  9. Ramón
  10. Hombres rata
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