Beethoven

Kenndog's song 'Beethoven' delves into themes of wealth, status, and authenticity in the modern urban landscape. The repeated chorus emphasizes the visible markers of success—'the guap,' 'the knots,' and 'designer shoes'—as indicators of one's financial status. By contrasting those who possess these symbols with those who don't, Kenndog highlights a societal divide where material wealth is equated with personal worth and ambition. The lyrics suggest that those without these markers are 'really broke' and lack goals, making a clear statement about the importance of financial success in his world.

In the verses, Kenndog paints a vivid picture of his lifestyle, marked by luxury and a sense of invincibility. He mentions running the city, having it 'locked,' and being part of the 'chain gang,' which could symbolize his dominance and influence. The line 'They don't really want me, they just want me for my ding-a-ling' reflects a cynical view of relationships, suggesting that people are more interested in his status and wealth than in him as a person. This sentiment is further emphasized by his declaration of not carrying wallets because his 'bands' (money) can't fit in his pockets, showcasing his immense wealth.

Kenndog also touches on his artistic integrity and independence. He mentions not needing a stylist and refusing to ghostwrite for others, indicating a desire to maintain control over his creative output. The line 'It's a miracle, niggas tryna be lyrical' suggests that he sees himself as a standout in a field where others struggle to match his skill. The imagery of 'eatin' niggas like dinner roast' and 'diamonds lookin' invisible' adds to the portrayal of his dominance and the futility of his competitors' efforts.

Overall, 'Beethoven' is a bold statement about the pursuit of wealth and the superficial markers of success. It reflects a world where material possessions are paramount, and authenticity is often overshadowed by the need to display one's status.