La Tangómana (Era la hija de)

Kevin Johansen's song "La Tangómana (Era la hija de)" is a playful yet poignant exploration of heritage, social status, and the allure of the tango culture. The repetitive phrase "Era la hija de la hija de la hija de..." emphasizes the weight of ancestry and the expectations that come with being part of a distinguished lineage. This lineage is not just any lineage but one that is deeply rooted in fame and influence, contrasting sharply with the ordinary lives of people like the verdulero (greengrocer) or the average person.

The character of La Tangómana is depicted as someone who is deeply entrenched in the tango scene, moving from one milonga (tango dance event) to another. Her life is a dance, both literally and metaphorically, as she navigates the expectations of her high social standing. The mention of her taking classes from various tutors suggests a life of privilege and constant refinement. Yet, there is a sense of detachment from the common folk, as she is not the daughter of someone with modest means but rather someone of significant influence.

Johansen also injects a sense of irony and critique through the narrator's perspective. The narrator, who identifies as a "niño mal" (bad boy) rather than a "niño bien" (good boy), offers to become a "niño 'glam'" to fit into her world. This highlights the superficiality and performative nature of social status. The repeated call to the tangómana to buy another round underscores the transactional nature of relationships within this high society. Ultimately, the song is a commentary on the intersection of heritage, social class, and the cultural significance of tango, wrapped in Johansen's signature blend of humor and insight.