Gilmarley Song

Kid Abelha Kid Abelha

The Harmony of Silence and Sound in 'Gilmarley Song'

Kid Abelha's 'Gilmarley Song' is a poignant reflection on the cacophony of modern life and the overlooked beauty in simplicity and silence. The song opens with vivid imagery of chaos and conflict, using metaphors like 'Bomba, avião, helicóptero' to depict a world consumed by noise and turmoil. This sets the stage for a contrast between the destructive sounds of war and the serene, often ignored, sounds of everyday life. The repetition of 'Outras tragédias não soam' emphasizes how other tragedies, perhaps more personal and less visible, go unnoticed amidst the louder, more publicized ones.

The chorus shifts the focus to the importance of listening and being present. Lines like 'Vamos falar mais baixo' and 'Vamos parar pra escutar' urge listeners to lower their voices and pay attention to the subtler, more meaningful sounds around them. The mention of 'uma barriga roncando' and 'uma mamãe chorando' brings attention to the human suffering that often gets drowned out by the noise of the world. This plea for mindfulness and empathy is a call to recognize and address the quieter, yet significant, struggles of life.

As the song progresses, it introduces musical elements like 'Bumbo, violão, pandeiro' to symbolize joy and community. The repeated phrase 'Outra beleza não há' underscores the unique beauty found in these simple, harmonious moments. The call for 'silêncio' and the invitation to 'ouçam Gilmarley cantar' suggest that true beauty and peace can be found in moments of quiet reflection and in the appreciation of music that brings people together. The song concludes with a celebration of life and music, advocating for a balance between sound and silence, and highlighting the profound impact of both on our well-being.

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  1. Fixação
  2. Lágrimas e chuva
  3. Educação sentimental II
  4. No Seu Lugar
  5. Caso de Verão (O Amorzinho)
  6. Como Eu Quero
  7. O Rei do Salão
  8. Como Yo Quiero (Como Eu Quero)
  9. Eu só penso em você
  10. Os outros
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