Two Hands

King Crimson's song 'Two Hands' delves into the profound and intricate nature of human connection and intimacy. The lyrics open with a vivid depiction of two individuals touching and feeling each other, emphasizing the physical and emotional closeness they share. The metaphor of 'two hands' fitting together perfectly symbolizes the seamless and natural bond between them, suggesting a deep, almost spiritual connection that transcends mere physical interaction.

The perspective then shifts to a more introspective and detached viewpoint, where the narrator describes themselves as a 'face in the painting on the wall.' This imagery evokes a sense of being an observer, detached from the direct experience of intimacy, yet still profoundly affected by it. The narrator's position 'at the foot of the bed' further emphasizes this sense of distance and longing, as they watch the intimate moments unfold. The line 'Sometimes I think I can feel everything' hints at an overwhelming empathy or a deep emotional resonance with the scene, despite the physical separation.

The final verse introduces the element of the wind, which symbolizes change and the passage of time. The wind blowing the narrator's hair in the direction of the intimate couple suggests an inevitable pull towards connection and intimacy, despite the barriers that may exist. The repeated mention of 'no open windows' in the painting underscores a sense of confinement and limitation, highlighting the contrast between the desire for connection and the reality of isolation. This poignant imagery captures the essence of longing and the human need for closeness, making 'Two Hands' a deeply reflective and emotionally charged piece.