Mala Mía (part. Tomás García)

In 'Mala Mía,' KYOTTO and Tomás García delve into the depths of regret and self-blame, painting a vivid picture of emotional turmoil. The song's title, which translates to 'My Bad,' sets the tone for a narrative steeped in personal accountability and sorrow. The repeated plea, 'Vete y déjame morirme' ('Go and let me die'), underscores a profound sense of despair and resignation. This refrain captures the essence of someone who feels overwhelmed by their mistakes and is seeking an escape from their emotional pain.

The lyrics explore the protagonist's return to a 'mala vida' or 'bad life,' suggesting a relapse into destructive behaviors. This regression is attributed to the protagonist's own actions, as they admit, 'Todo esto es culpa mía' ('All of this is my fault'). The song's verses further illustrate the protagonist's internal conflict, with lines like 'Ya no sé ni qué hago aquí, ma'' ('I don't even know what I'm doing here, ma') and 'Si ahora todo es cuesta arriba' ('If now everything is uphill'). These expressions of confusion and struggle highlight the weight of their guilt and the difficulty of moving forward.

The collaboration with Tomás García adds another layer to the song, with his verses emphasizing the futility of trying to explain their feelings to someone who won't understand. The imagery of 'fuego a quema ropa' ('point-blank fire') and 'viajar por Europa' ('traveling through Europe') juxtaposes moments of intense passion with a sense of aimlessness. The song's bridge, with its haunting repetition of 'Que todo me da igual' ('That everything is the same to me'), encapsulates the protagonist's numbness and detachment from their surroundings. Ultimately, 'Mala Mía' is a poignant exploration of regret, self-destruction, and the longing for redemption.