Sobre Cañones Y Moscas

La Cabra Mecánica's song "Sobre Cañones Y Moscas" delves into the tumultuous journey of an artist striving to make their voice heard. The opening lines, "Tengo una canción que es un arma en las manos de un niño," suggest that the song itself is a powerful tool, yet in the hands of someone inexperienced or vulnerable, it can be both a blessing and a curse. The artist describes the physical and emotional toll of their craft, metaphorically breaking their hands to pave their way, indicating the immense effort and pain involved in their pursuit.

The recurring theme of the audience's expectations is palpable throughout the lyrics. The artist feels the pressure to deliver, even if it means sacrificing their well-being. The line, "Y la audiencia espera si no una voz, al menos un eco," highlights the relentless demand for performance, regardless of the artist's condition. The imagery of falling from a trapeze while hearing the clown laugh underscores the precarious nature of their profession, where failure is met with ridicule, yet the artist remains willing to pay the price to satisfy their audience.

The song also touches on the concept of selling one's soul for success, with the repeated phrase, "si pa el demonio mi alma pues para ti mi corazón, servidor." This line reflects the artist's internal conflict between maintaining their integrity and succumbing to the pressures of the industry. The reference to "Hey, mister Tambourine" is a nod to Bob Dylan's iconic song, symbolizing the desire to keep the music and dance alive despite the hardships. The vivid imagery of "ojos de vidrio, sol de aluminio" and "tuya la sangre de mi nariz" further emphasizes the physical and emotional sacrifices made in the name of art.

Ultimately, "Sobre Cañones Y Moscas" is a poignant exploration of the artist's struggle, the sacrifices they make, and the relentless pursuit of their passion, even in the face of adversity and exploitation.