Boletos, Pases y Abonos

La Máquina de Hacer Pájaros' song 'Boletos, Pases y Abonos' delves into the complexities and ironies of fame, societal expectations, and personal identity. The lyrics paint a vivid picture of the artist's struggle with the pressures and superficialities of public life. The opening lines, 'Uh, me quitan el Sol, me sacan a Dios / Me secan el sudor y el sabor,' suggest a sense of deprivation and loss, as if the artist is being stripped of essential elements of life and identity. This sets the tone for a narrative that questions the cost of fame and the authenticity of relationships formed under its influence.

The song also touches on themes of exploitation and the commodification of art and artists. Lines like '¿Quién por poco dinero te supo hacer feliz? / Quién fue amigo de tus hijos y quién' highlight how the artist feels used and undervalued, reduced to a mere source of entertainment and temporary happiness. The repeated question '¿Quién consiguió los boletos para verme cantar?' underscores the transactional nature of these relationships, where personal connections are overshadowed by the commercial aspects of fame.

Furthermore, the song explores the artist's complex relationship with his audience and society at large. The lines 'Soy el hijo de todas y el amante también / ¿No se atreve, dulce mamá, a ser mi mujer infiel?' reveal a sense of belonging and alienation, as the artist is both a public figure and a private individual. The reference to 'Sui Generis,' a nod to Charly García's previous band, adds a layer of nostalgia and continuity, linking past and present struggles. Ultimately, 'Boletos, Pases y Abonos' is a poignant reflection on the sacrifices and contradictions inherent in the pursuit of artistic success.