Cachas Beybi

La Polla Records' song 'Cachas Beybi' is a scathing critique of societal hypocrisy, particularly targeting the upper class and their pretentious displays of grief. The lyrics paint a vivid picture of a funeral for an aristocrat, where the attendees are more concerned with appearances and inheritance than genuine sorrow. The narrator, who identifies as 'miserable,' openly mocks the insincerity of the mourners, spitting his jubilation over the deceased's coffin. This act of defiance underscores the narrator's disdain for the superficiality and moral corruption he perceives in the upper echelons of society.

The repeated phrase 'qué buen hombre' (what a good man) is laced with irony, highlighting the disconnect between the public's praise and the narrator's contempt. The song suggests that the deceased, despite being lauded as a 'good man,' did nothing to help those less fortunate. This sentiment is further emphasized by the line 'honradamente en nada nos ayudó' (honestly, he didn't help us at all), which criticizes the empty accolades given to the wealthy and powerful. The imagery of worms appreciating the deceased's well-fed body adds a macabre touch, reinforcing the idea that his wealth and status are ultimately meaningless in death.

'Cachas Beybi' also delves into the spectacle of the funeral itself, with mourners dressed in black and the widow's performative tears. The song's biting sarcasm is evident in lines like 'todos de negro chupando de cámara' (everyone in black sucking up to the camera), which mocks the performative nature of public mourning. The repeated question 'quién heredará' (who will inherit) underscores the greed and self-interest that pervades the scene. La Polla Records uses this song to expose the shallow and hypocritical nature of societal norms, particularly those surrounding death and mourning, making 'Cachas Beybi' a powerful commentary on class and morality.