HDA

Las Bistecs, a Spanish electro-disgusting duo known for their satirical and irreverent approach to music, take listeners on a whimsical journey through art history in their song "HDA". The lyrics serve as a playful and somewhat cynical commentary on the art world, blending historical references with modern-day critiques.

The song begins by mentioning ancient civilizations, Greeks and Romans, acknowledging their contributions to architecture with the construction of columns, and then listing the three classical orders of ancient Greek architecture: Doric, Ionic, and Corinthian. This sets the stage for a historical narrative, but the tone quickly shifts to a more critical perspective. The phrase "Historia del arte, penes con pincel" (Art history, penises with a brush) suggests a critique of the male-dominated art world, where male artists and male-centric artworks have been historically overrepresented.

As the song progresses, it name-drops famous artists from various art movements, from Renaissance masters like Da Vinci and Caravaggio to modern artists like Picasso and Warhol. The repetition of "Oh no, otra vez tú" (Oh no, not you again) implies a weariness with the constant focus on these well-known figures, hinting at the art world's tendency to celebrate a select few at the expense of diversity. The mention of "La Maja desnuda, la Maja vestida" refers to two famous paintings by Goya, highlighting the fascination with the nude in art. The song concludes with a nod to Cecilia Giménez's botched restoration of the Ecce Homo fresco, humorously suggesting that even this amateur attempt has found a place in art history. Las Bistecs use humor and repetition to critique the repetitive and exclusive nature of art history, while also celebrating its absurdities.