Listas Sabanas

“Listas Sabanas” by Las Pastillas del Abuelo is a satirical critique of the political landscape and the influence of media in Argentina. The song opens with a metaphorical dark room, symbolizing the murky and corrupt world of politics. The lyrics suggest that those who are not part of the political elite are often left out, as indicated by the line “de todos los que sobran” (of all those who are left out). The mention of “no hay limonada y chicha no es la mejor maniobra” (there’s no lemonade and chicha is not the best maneuver) implies that the options available to the common people are subpar and unsatisfactory.

The song then shifts to a critique of how television grants power to manipulate the masses. The line “La telavision te da el poder de manejar un pueblo” (Television gives you the power to control a people) underscores the media’s role in shaping public opinion and political outcomes. The artist mocks the absurdity of celebrities and unqualified individuals running for political office, using examples like Moria Casán and Zulma Faiad, who are well-known figures in Argentine entertainment. This highlights the trivialization of politics and the lack of serious, qualified candidates.

The chorus emphasizes the disillusionment with the current political system, where ambition and manipulation overshadow genuine leadership. The mention of “listas sábanas” (blanket lists) refers to the closed-list proportional representation system, which often results in unqualified candidates being elected. The song concludes with a sarcastic remark about needing a politician with a heart, only to suggest Piñón, a famous clown, as a candidate. This final jab underscores the absurdity and frustration with the political status quo, where entertainment and superficiality seem to dominate over substance and integrity.