Mas Lejos

Las Pastillas del Abuelo's song 'Mas Lejos' delves into the themes of dreams, illusions, and the inevitable disillusionment that follows. The lyrics paint a picture of a time when people were consumed by their dreams and the promises of transformation. The 'Reyes de las ilusiones' (Kings of illusions) symbolize those who promised change and enlightenment, but ultimately, their promises were just that—illusions. The song reflects on how these dreams and promises illuminated the twilight, giving hope but not necessarily leading to tangible change.

The chorus, with its repetition of 'Se fue, se fue, se fue, se fue la pena' (The sorrow went away), suggests a temporary relief from pain, but also hints at the fleeting nature of such relief. The line 'La cueva es el palacio del que no sabe buscar' (The cave is the palace of those who do not know how to search) implies that those who are unable to seek out their own answers remain trapped in their illusions, mistaking their confinement for comfort. This metaphor highlights the stagnation and complacency that can arise from relying too heavily on external promises rather than seeking personal growth and understanding.

The song also explores the dynamics of complicity and betrayal. The repeated lines 'Ella fue cómplice y él fue la traición' (She was the accomplice and he was the betrayal) suggest a relationship where one party is complicit in the illusions while the other embodies the betrayal of those dreams. This dynamic can be interpreted as a broader commentary on societal roles, where some people enable the perpetuation of false hopes while others actively betray those hopes. The song's melancholic tone and reflective lyrics encourage listeners to consider the consequences of living in a world of illusions and the importance of seeking genuine understanding and change.