Incensário

Laura Souguellis' song 'Incensário' is a deeply spiritual and worshipful piece that centers on the themes of divine reverence and human devotion. The lyrics open with a declaration of the uniqueness and supremacy of God, who is described as seated on a throne, overseeing everything and everyone. This imagery sets a tone of awe and reverence, emphasizing God's omnipotence and omnipresence. The mention of God being attentive to His creatures from the heights suggests a personal and caring deity, one who is both majestic and intimately involved in the lives of His followers.

The song then transitions to a more personal reflection, where the singer identifies herself as God's creation, a 'feitura' or handiwork. This acknowledgment of being crafted by divine hands adds a layer of humility and gratitude. The metaphor of being an 'Incensário'—a censer used in religious rituals to burn incense—further deepens this connection. In this context, the singer sees herself as a vessel for worship, elevating her song as a form of holy incense rising to the heavens. This act of worship is portrayed as continuous and unending, symbolized by the repeated lines 'Dia e noite, noite e dia' (Day and night, night and day).

The song culminates in a call for persistent and unwavering adoration until the 'taças estejam cheias' (the bowls are full) and until 'Ele retorne a terra' (He returns to earth). This eschatological reference points to the Christian belief in the Second Coming of Christ, where the faithful are encouraged to maintain their devotion until the prophesied return. The imagery of incense and bowls being filled suggests a cumulative effect of worship, where each act of devotion contributes to a larger, divine purpose. Through its poetic and evocative lyrics, 'Incensário' invites listeners into a space of continuous worship and spiritual anticipation.