Blancos Fáciles (part. Nina de Juan)

Leiva's song 'Blancos Fáciles,' featuring Nina de Juan, delves into the complexities and perils of the digital age. The lyrics paint a vivid picture of a society ensnared by the omnipresent power of technology and social media. The opening lines, 'Títeres en manos del nuevo poder / Esclavos de ladrones de datos,' suggest that people have become puppets controlled by the new power—data thieves. This metaphor highlights the loss of autonomy and privacy in a world where personal information is constantly harvested and exploited.

The song further explores the duality of being both heroes and victims in this digital landscape. The phrase 'Héroes y víctimas, hemos cruzado el umbral' indicates that society has crossed a threshold, becoming emboldened yet vulnerable. The imagery of everyone being armed with a loaded rifle symbolizes the readiness to attack or defend oneself in the virtual world, where anonymity ('bajo nombres falsos') emboldens individuals to act aggressively. This creates a culture of instant gratification and superficial interactions, as described by 'Yonquis del placer inmediato.'

Leiva also critiques the false sense of happiness and validation that social media provides. Lines like 'Zombis viviendo tres vidas a la vez / Buscan seguidores e impacto' depict people living multiple lives online, constantly seeking followers and impact. The addictive nature of filters and the tracking of personal steps by brands ('Filtros adictivos jugando su papel / Marcas registrando tus pasos') further emphasize the artificiality and surveillance inherent in this digital existence. The recurring question, '¿Son los demás o seré yo?' reflects a deep introspection about one's role and complicity in this normalized yet perilous digital culture.