Ojo Con Los Orozcos

León Gieco León Gieco

Unraveling the Eccentricities of the Orozcos: A Dive into León Gieco's Satirical Tale

León Gieco's "Ojo Con Los Orozcos" is a song that stands out for its playful and satirical take on a fictional family, the Orozcos. The song is a rapid-fire enumeration of the peculiarities and vices of each family member, characterized by a tongue-twisting use of alliteration and rhymes, which adds a humorous and rhythmic quality to the narrative. Gieco, an Argentine musician known for his folk-rock style and social commentary, uses this song to create a caricature of excess and moral decay, possibly as a metaphor for societal issues.

Each verse of the song introduces a different Orozco, with their own set of quirks and questionable behaviors. From Pocho, the orthodox odontologist with a penchant for trouble, to Toto, who indulges in drugs and has a breakdown, the song paints a vivid picture of a dysfunctional family. The repetition of 'stop, stop' at the end of each verse serves as a comedic device to punctuate the absurdity of each character's story. The narrator's insistence that 'we are not like the Orozcos' suggests a desire to distance oneself from such chaotic and morally dubious lifestyles.

The song could be interpreted as a critique of certain social behaviors, with the Orozcos embodying the extremes of various vices. The use of humor and exaggeration serves to highlight the folly of such excesses. Rodolfo, the only Orozco who receives the narrator's approval, stands out as a musician who collaborates with famous names and seems to have a more positive and creative outlet. This contrast may suggest that while many succumb to negative behaviors, there is still hope for redemption through art and positive expression.

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  1. Carito
  2. Ojo Con Los Orozcos
  3. Pensar En Nada
  4. Semillas Del Corazón
  5. Hombres De Hierro
  6. Familia Rodante
  7. La Cultura Es La Sonrisa
  8. Un Pacto
  9. La Colina de La Vida
  10. Solo Le Pido a Dios
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