Miss Lilly Higgins sings shimmy in Mississippi's spring

Les Luthiers, an Argentine comedy-musical group known for their humorous and satirical take on various musical genres, presents a unique piece with 'Miss Lilly Higgins sings shimmy in Mississippi's spring.' The song is a playful parody of the jazz scene in the United States, highlighting the often arduous journey musicians face. The introduction humorously notes that Count Baseball, the fictional composer, experienced the stages of a musician's career in reverse, starting from final consecration to painful frustrations and ending in indifference. This satirical twist sets the tone for the entire piece, poking fun at the traditional narrative of musical success.

The lyrics themselves are a jumble of nonsensical phrases, which is a hallmark of Les Luthiers' style. Words like 'Papa, batata, barata' and 'estúpido bidet se traba' are not meant to convey a coherent message but rather to entertain through their absurdity. This approach reflects the group's talent for blending music with comedy, creating a light-hearted and whimsical experience for the listener. The use of informal instruments like gom-horns, tubófonos, and yerbomatófonos further adds to the playful and unconventional nature of the piece.

The song also serves as a commentary on the jazz genre itself, often seen as complex and sophisticated. By using informal instruments and nonsensical lyrics, Les Luthiers demystifies jazz, making it accessible and humorous. The piece is a celebration of creativity and the joy of music, free from the constraints of traditional expectations. It invites the audience to laugh and enjoy the absurdity, reminding us that music, at its core, is about expression and fun.