Nagô, Nagô

Lia de Itamaracá's song 'Nagô, Nagô' is a powerful homage to Afro-Brazilian culture and heritage. The repetitive and rhythmic lyrics, 'Nagô, nagô, Nossa rainha já se coroou,' translate to 'Nagô, nagô, Our queen has already been crowned.' This simple yet profound line encapsulates a celebration of identity, resilience, and the enduring legacy of African traditions in Brazil. The term 'Nagô' refers to the Yoruba people, who were brought to Brazil during the transatlantic slave trade and whose cultural influences remain deeply embedded in Brazilian society.

The song's focus on the coronation of a queen symbolizes the recognition and elevation of African heritage. In many Afro-Brazilian communities, the figure of the queen is a revered symbol of strength, leadership, and continuity. By stating that 'Nossa rainha já se coroou,' Lia de Itamaracá is not only celebrating a specific individual but also acknowledging the collective empowerment and pride of the Afro-Brazilian community. This coronation can be seen as a metaphor for the reclaiming of cultural identity and the honoring of ancestral roots.

Lia de Itamaracá, known for her contributions to the traditional Brazilian music genre of ciranda, uses her platform to preserve and promote Afro-Brazilian culture. Her music often reflects themes of community, tradition, and resistance. 'Nagô, Nagô' is a testament to her dedication to these themes, serving as both a celebration and a call to remember and honor the past. The song's repetitive nature and rhythmic structure also evoke the communal and participatory aspects of traditional African music, inviting listeners to join in the celebration and recognition of their heritage.