Dollhouse (feat. The Weeknd)

Lily-Rose Depp's song 'Dollhouse (feat. The Weeknd)' delves into the complex dynamics of control, submission, and the yearning for freedom. The lyrics paint a vivid picture of a protagonist trapped in a metaphorical dollhouse, where they are dressed up and manipulated, yet there is an underlying acceptance or even desire for this control. The imagery of a 'chokehold, headlock, blindfold' suggests a sense of being overpowered and restrained, while the repeated phrase 'have your way with me' indicates a surrender to this domination. This duality of being 'perfect, messed up' encapsulates the conflicting emotions of wanting to break free yet being drawn to the allure of control.

The song contrasts this oppressive reality with an alternate, idealized existence where the protagonist roams free, unburdened by societal expectations or power struggles. In this other lifetime, there are 'no kings, no slaves,' and every day is 'perfectly complete.' This utopian vision highlights the stark difference between the protagonist's current state and their dreams of liberation. The use of fairytale-like language such as 'happy ever after' and 'once upon a time' underscores the fantasy element of this desired life, making the current reality seem even more suffocating.

The Weeknd's contribution adds another layer to the narrative, emphasizing the twisted relationship between control and affection. Lines like 'Love it when you call me daddy' and 'Am I playing all right now, daddy?' suggest a power play that blurs the lines between dominance and love. This interplay of control and affection creates a disturbing yet captivating dynamic, reflecting the complexities of relationships where power imbalances exist. The song ultimately explores the dark allure of control and the human desire for both freedom and submission, making it a hauntingly beautiful piece that resonates on multiple levels.