Sage Comme Une Image

Lio's song 'Sage Comme Une Image' delves into the complexities of modern femininity and the perception of innocence. The title itself, which translates to 'As Good as Gold,' sets the tone for a narrative that juxtaposes outward appearances with inner strength and autonomy. The lyrics explore the idea of a young woman who is perceived as innocent and well-behaved, yet she asserts her independence and self-sufficiency throughout the song.

The opening lines, 'C'est non mais ne crois pas / Que j'ai pas encore l'âge,' immediately establish a sense of defiance. The protagonist is aware of societal expectations but chooses to challenge them. She mentions that her appearance, 'une affaire de maquillage,' is just a facade, hinting at the superficial judgments people make based on looks. The line 'Je ne touche personne / Et personne ne me touche' underscores her autonomy and control over her own body and choices.

As the song progresses, Lio paints a picture of a young woman who finds solace in her own company. 'Les petites filles modernes / Ne pleurent pas car elles savent' suggests that modern girls are resilient and self-reliant. The protagonist finds comfort in music, 'Tous les disques que j'aime / Me parlent et me protègent,' which serves as both a companion and a protector. The imagery of album covers, 'pochettes défilent,' symbolizes her desire to be as untouchable and perfect as the glossy images she admires. This reflects a yearning for an idealized version of herself, free from societal pressures and expectations.

'Sage Comme Une Image' is a nuanced exploration of the dichotomy between appearance and reality, innocence and strength. It speaks to the modern woman's journey towards self-empowerment, challenging traditional notions of femininity and independence.