Navigating Solitude and Self-Discovery in 'Días Breves'

Lisandro Aristimuño's 'Días Breves' is a poignant exploration of solitude, introspection, and the journey towards self-discovery. The song opens with the artist expressing a sense of vulnerability and isolation, as he finds himself alone in a grand hotel, unsure of how to take care of himself without faith. This setting serves as a metaphor for the vast, often overwhelming nature of life, where the individual feels small and insignificant. The imagery of rubbing his feet and the mention of a tear that doesn't overflow the glass suggests a quiet, almost resigned sadness that permeates his existence.

As the song progresses, Aristimuño delves deeper into his daily routine, counting the 'brief days' and drowning out the noise of the television with caffeine. This routine, however, is marked by a sense of impermanence and transience, as he acknowledges that nothing seems to last. The repetition of 'y no sé' (and I don't know) underscores his uncertainty and the fluidity of his emotions. Despite this, there is a sense of acceptance and a willingness to let things flow, as he states, 'Cada vez me dejo fluir' (Every time I let myself flow).

The latter part of the song reveals a turning point, where Aristimuño decides to distance himself from someone whose stories he has grown tired of. This act of leaving signifies a reclaiming of his identity and a choice to live in the present moment. The repeated phrase 'Elijo lo que soy, Elijo lo que es hoy' (I choose what I am, I choose what is today) highlights a newfound sense of agency and self-determination. Through 'Días Breves,' Aristimuño captures the delicate balance between melancholy and empowerment, illustrating the complexities of navigating one's inner world and the importance of embracing one's true self.

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  1. Días Breves
  2. Cosas de un soñador
  3. Cerrar los ojos
  4. Sombra
  5. Vi tu foto
  6. Perdón
  7. Lobofobia
  8. Vos
  9. Nada de Nada
  10. Es Todo Lo Que Tengo, Es Todo Lo Que Hay
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