The Voracious Beasts of Society: A Critique of Power and Corruption

Lisandro Aristimuño's song "Comen" is a powerful critique of societal corruption and the insatiable greed of those in power. The lyrics paint a vivid picture of omnipotent beasts that consume everything in their path—be it peace, children, or even the divine. These beasts are a metaphor for the corrupt individuals and systems that exploit and devour resources and people without remorse. Aristimuño's use of the word "comen" (which means "they eat" in Spanish) repeatedly emphasizes the relentless and voracious nature of this consumption.

The song also delves into the deceptive nature of these powerful entities. Aristimuño describes them as invisible yet omnipresent, with blood on their hands and a facade of innocence. They imprison people not just physically but emotionally and mentally, creating a state of fear and compliance. The lyrics suggest that these entities are well-dressed and educated, capable of manipulating reality with empty promises and hollow speeches. This portrayal highlights the cunning and manipulative tactics used by those in power to maintain control and suppress dissent.

Aristimuño's lyrics also touch on the themes of resistance and resilience. Despite the overwhelming power of these beasts, the song speaks to the unyielding spirit of those who refuse to be consumed. The imagery of "creating paths" and "following heartbeats" suggests a collective effort to resist and overcome oppression. The song ends on a defiant note, asserting that the silenced voices will eventually be heard louder and stronger, and that the so-called "bandits" will not be devoured by the forces of oblivion. This message of hope and resistance resonates deeply, encouraging listeners to stand against corruption and fight for justice.

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  1. Hoy
  2. Tu Nombre y el Mío
  3. Puente
  4. La última prosa
  5. Aunque No Estés Aquí
  6. Azucar del Estero
  7. En mi
  8. Cosas Del Amor
  9. El Árbol Caído
  10. Y Vos Adonde Estas
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