O Rock Errou

In 'O Rock Errou,' Lobão delves into a critical reflection on the state of rock music and its perceived failures. The song opens with a commentary on how rock has been criticized for being meaningless and alienated. Lobão, with a tone of innocence and perhaps sarcasm, questions what he should do with his 'holy intelligence,' suggesting that his love for rock might be seen as a flaw or a sin. This sets the stage for a deeper exploration of societal expectations and the pressures to conform to certain standards of value and success.

The chorus, repeating 'Errou, errou, errou, errou,' emphasizes the notion of rock's mistakes. Lobão acknowledges these perceived errors but also hints at the idea of forgiveness and imperfection, stating, 'Ninguém é perfeito você não acha?' (Nobody is perfect, don't you think?). This line suggests a broader commentary on human fallibility and the unrealistic expectations placed on artists and their work. The reference to the 'bruxo da vassoura' (witch of the broom) and 'Música do Planeta Terra' (Music of Planet Earth) adds a mystical and universal dimension to the song, implying that music, like humanity, is inherently flawed yet profoundly significant.

Lobão also touches on the socio-political climate, describing a country that is 'bem revistado' (well-inspected) and experiencing a 'nova volta ao passado' (new return to the past). This could be interpreted as a critique of censorship, surveillance, and the cyclical nature of political oppression. The imagery of a 'louco anda solto de colarinho' (crazy person walking free with a collar) suggests the hypocrisy and absurdity of societal norms. Through these lyrics, Lobão not only critiques the state of rock music but also uses it as a metaphor to address broader issues of freedom, expression, and the human condition.