Unveiling the Layers of 'Cosas Mías' by Los Abuelos de La Nada

The song 'Cosas Mías' by Los Abuelos de La Nada, an Argentine rock band, presents a narrative that explores various facets of life and the human condition. The lyrics take the listener on a journey through different scenarios, each depicting a sense of dissatisfaction or concern. The opening lines, which mention the 'puertas del edén' (gates of Eden) and a prelate's house, suggest a search for utopia and spiritual guidance, only to find that even in these places, not everything is as perfect as one might hope.

As the song progresses, the narrator visits the house of an artist and a doctor, encountering limited vision and immense pain, respectively. These verses could be interpreted as commentary on the shortcomings and struggles within society, where even those who are supposed to heal or inspire are facing their own challenges. The chorus, with its acceptance of life 'as is' and the acknowledgment that one does not choose their circumstances ('Yo no pedí nacer así'), reflects a resignation to life's inherent complexities and the personal quirks that each individual possesses ('Son cosas mías').

The latter part of the song takes a darker turn, with the narrator encountering the police and being taken to a place filled with 'gris agonía' (gray agony). The mention of a dead body in the closet and two more in the pool paints a grim picture of violence or hidden secrets. This could symbolize the darker aspects of life that are often concealed or ignored. The song closes with a reflection on the randomness of life and the envy that arises from desiring what others have, suggesting a critique of societal values and the human tendency to covet.

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  1. Costumbres Argentinas
  2. Chalamán
  3. Cosas Mías
  4. Lunes Por La Madrugada
  5. Sintonía americana
  6. No Te Enamores Nunca de Aquel Marinero Bengalí
  7. Región Dura
  8. Como Debo Andar
  9. Sin Gamulán
  10. Tristeza de La Ciudad
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