Cambalache
Los EstÓmagos
A Chaotic Reflection on Society: The Timeless Relevance of 'Cambalache'
Los EstÓmagos' rendition of 'Cambalache' is a powerful critique of societal decay and moral ambiguity. Originally written by Enrique Santos Discépolo in 1934, the song's lyrics lament the persistent corruption and moral decline that have plagued humanity across centuries. The opening lines, 'Que el mundo fue y será una porquería, ya lo sé,' set a tone of disillusionment, suggesting that the world has always been and will continue to be a mess, regardless of the era. This sentiment is reinforced by the mention of historical and contemporary figures, illustrating that deceit and immorality are timeless issues.
The song's chorus underscores the idea that societal values have become so distorted that distinctions between right and wrong, wise and ignorant, or noble and corrupt have blurred. The line 'Hoy resulta que es lo mismo ser derecho que traidor' poignantly captures this moral confusion, where being honest or a traitor makes no difference. This leveling of moral standards is further emphasized by the assertion that 'Los inmorales nos han igualao,' indicating that the immoral have brought everyone down to their level.
'Cualquiera es un señor, cualquiera es un ladrón' encapsulates the song's central theme: the erosion of respect and reason in society. The vivid imagery of the Bible crying against a heater ('Ves llorar la biblia contra un calefón') symbolizes the clash between sacred values and mundane, often corrupt, realities. The song's closing lines, 'Si es lo mismo el que labura... que el que mata o el que cura,' drive home the point that in this chaotic world, hard work and crime are seen as equally viable paths. 'Cambalache' remains a poignant and relevant commentary on the human condition, resonating with listeners who see the same issues in today's world.