Rock de Las Abejas (feat. La Metaleira Mantequeira)

Patricio Rey y Sus Redonditos de Ricota, often referred to simply as 'Los Redondos,' are a legendary Argentine rock band known for their poetic and often cryptic lyrics. 'Rock de Las Abejas (feat. La Metaleira Mantequeira)' is a song that delves into themes of freedom, disillusionment, and the passage of time, wrapped in the band's signature enigmatic style.

The song opens with a sense of transformation, addressing a character referred to as 'Negro,' who appears to have emerged from a period of hiding or clandestinity. The lyrics suggest that this period has left a mark on him, making him more attractive in a melancholic way. The mention of 'ojitos tristes' (sad little eyes) and the anticipation of buying a 'buen par de tarros' (a good pair of shoes) hint at a bittersweet return to normalcy, where material possessions are a small comfort after a time of hardship.

As the song progresses, it becomes clear that the character's return to society is not entirely triumphant. The reference to 'astillita' (a small piece of money) and the repeated phrase 'vas a putear y putear' (you will curse and curse) suggest frustration and discontent. The character's inactivity has left him feeling cold and insignificant, a 'punto más' (just another point). This sense of disillusionment is further emphasized by the mention of 'Malvaloca,' a type of cigarette, symbolizing a loss of identity and purpose.

The narrative also touches on themes of betrayal and manipulation, with references to a 'pupila' (pupil) who sent the character to a 'cafúa' (jail) while shouting 'El Super Gordo, Super de Navidad' (The Super Fat, Super of Christmas). This chaotic and surreal imagery paints a picture of a world where trust is scarce, and survival is a constant struggle. Through its complex and layered lyrics, 'Rock de Las Abejas' captures the essence of a tumultuous journey from darkness to a fragile light, reflecting the band's deep connection to the socio-political landscape of Argentina.