Cerrar y Abrir

Los Tres Los Tres

Exploring the Emotional Tug-of-War in Los Tres' 'Cerrar y Abrir'

The song 'Cerrar y Abrir' by the Chilean band Los Tres delves into the complexities of a tumultuous relationship, using vivid imagery and emotional pleas to convey the struggles of love and separation. The lyrics begin with a desperate request not to let the sun die, symbolizing a plea for the relationship not to end in darkness or despair. The mention of the sun not rising without the singer's love underscores the dependency and deep connection felt towards the partner, suggesting that their presence is as crucial as daylight.

As the song progresses, the lyrics oscillate between feelings of love and resentment, highlighted by the phrases 'Ódiame un poco y vuelve a mí' (Hate me a little and come back to me) and 'Ámame un poco y sal de aquí' (Love me a little and leave here). This push and pull reflect the emotional conflict within the narrator, who seems torn between wanting closeness and needing space. The metaphor of 'cerrar y abrir' (closing and opening) is used to describe the cyclical nature of hiding and revealing emotions, which adds to the complexity of the relationship dynamics described in the song.

The recurring theme of communication, or the lack thereof, is evident in lines like 'Cállate, no digas lo que has visto' (Be quiet, don't say what you've seen), suggesting that there are painful truths or secrets that could further harm the relationship if revealed. This call for silence and the repeated instruction to leave highlight a deep-seated fear of vulnerability and the pain that often accompanies intimate relationships. The song captures the essence of a love that is both binding and separating, making it a poignant exploration of human emotions and relationships.

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  1. He Barrido El Sol
  2. Moizefala
  3. Dejate Caer
  4. La Primera Vez
  5. La Torre De Babel
  6. Amores Incompletos
  7. Jarabe para los tos
  8. Amor Violento
  9. La Espada & La Pared
  10. Pajaros de Fuego
View all Los Tres songs

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