Giséle

Luidji's song "Giséle" delves into the life of a woman who is deeply entrenched in the superficial aspects of modern society. The lyrics paint a vivid picture of Giséle, who lives solely for the cameras, mirrors, and the gaze of others. This obsession with external validation is highlighted through references to luxury items like Chanel Coco, Carrera sunglasses, and yellow Ferraris. The repetition of phrases like "Tu ne vis que pour les caméras" (You only live for the cameras) underscores the emptiness of her existence, which is driven by a need to be seen and admired rather than genuine self-fulfillment.

The song also touches on the futility of trying to change someone who is so deeply embedded in a fake lifestyle. Luidji expresses his frustration with Giséle's superficiality, noting that everything about her is "fake." This is further emphasized by the line "Pour nous tu n'as plus aucun mystère" (For us, you are no longer a mystery), suggesting that her life is an open book, devoid of any real depth or substance. The mention of short skirts and long nights adds a layer of critique on how she uses her appearance to gain attention, yet remains emotionally and physically unfulfilled.

In the latter part of the song, Luidji highlights the loneliness that accompanies Giséle's lifestyle. Despite being surrounded by admirers and living a life of apparent glamour, she ends up alone, ignoring the men around her and returning home by herself. The line "Encore un soir où tu te doigtes" (Another night where you finger yourself) starkly illustrates her isolation and the lack of genuine human connection in her life. Through "Giséle," Luidji offers a poignant critique of a life lived for the sake of appearances, revealing the underlying misery and emptiness that often accompany such a facade.