Veinte Ciudades

Luis Alberto Spinetta Luis Alberto Spinetta

Navigating Love and Disillusionment in 'Veinte Ciudades'

Luis Alberto Spinetta's song 'Veinte Ciudades' delves into the complexities of love, self-awareness, and the inevitable disillusionments that come with life's journey. The lyrics paint a vivid picture of a person who has traveled through various experiences ('veinte ciudades') only to find that nothing has truly changed or resolved ('nada cerró'). This sense of stagnation and unfulfilled expectations is a central theme, reflecting the emotional turmoil of waiting for something that never materializes.

The song also emphasizes self-perception and the struggle for self-acceptance. The repeated line 'Con tus propios ojos ves lo hermosa que sos' ('With your own eyes, you see how beautiful you are') suggests a moment of self-realization and the bittersweet recognition of one's worth. However, this realization is tinged with sadness, as it is accompanied by tears and a sense of unfulfilled love. Spinetta reassures the listener that love will never be lacking, yet he also warns against the dangers of false hopes and the burning pain of unmet expectations ('Porque quema, solo quema, sí, la esperanza de tu amor').

Spinetta's poetic lyrics also touch on the theme of fate and the unpredictability of life. The line 'Hoy que la suerte se burla de mí' ('Today, luck mocks me') captures the feeling of being at the mercy of circumstances beyond one's control. Despite this, there is a call for resilience and understanding that the world does not play by the same rules ('Debes comprender que el mundo nunca juega a lo mismo'). The imagery of 'cenizas del alma' ('ashes of the soul') symbolizes the remnants of past experiences and the need to break free from them to move forward.

'Veinte Ciudades' is a poignant exploration of love, self-discovery, and the harsh realities of life. Spinetta's introspective and poetic approach invites listeners to reflect on their own journeys and the emotional landscapes they navigate.

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