Baile de Los Morenos

Luiz Alberto Fleitas' song 'Baile de Los Morenos' is a vibrant celebration of Afro-Uruguayan culture, specifically the candombe, a traditional dance and music genre that originated from African slaves in Uruguay. The repetitive and rhythmic 'Tu-cu-tu-tum-bam-ba' mimics the sound of drums, setting the stage for a lively and communal dance. The tamboriles, or drums, are central to the song, symbolizing the heartbeat of the community and the continuity of cultural traditions.

The lyrics describe the excitement and joy that the candombe brings to the Afro-Uruguayan community. The phrase 'Ya los negros se alborotan' translates to 'The black people are already getting excited,' highlighting the collective enthusiasm and the sense of unity that the dance fosters. The mention of 'lonjas bientempladas' refers to well-tuned drum skins, emphasizing the importance of music in uplifting the spirit and bringing people together. The imagery of 'quiebra el negro las caderas' or 'the black man breaks his hips' illustrates the energetic and expressive dance movements that are characteristic of the candombe.

The song also touches on themes of hope and resilience. The line 'Que viva la esperanza que sellan al bailar' translates to 'Long live the hope that they seal by dancing,' suggesting that the act of dancing is not just a form of celebration but also a way to preserve hope and cultural identity. The reference to San Pedro, a saint in Christian tradition, coming to listen to the drums, adds a spiritual dimension to the song, indicating that the music and dance are not only earthly pleasures but also have a divine significance.

'Baile de Los Morenos' is a powerful ode to the enduring spirit of the Afro-Uruguayan community, their rich cultural heritage, and the unifying power of music and dance.