Por Um Triz

Lulo Scroback's song 'Por Um Triz' delves into the complexities of love, identity, and the passage of time. The lyrics paint a vivid picture of a person grappling with the emotional turmoil of a relationship that is both captivating and suffocating. The recurring theme of difficulty—whether it's believing, being, living, or forgetting—highlights the internal conflict and the struggle to reconcile feelings of love and loss. The phrase 'por um triz,' which translates to 'by a hair's breadth,' encapsulates the precariousness of the narrator's emotional state, teetering on the edge of despair and hope.

The song is rich with metaphors and cultural references. The mention of 'Jetsons' evokes a sense of futuristic escapism, contrasting with the grounded reality of the narrator's emotional struggles. The imagery of 'old paints from another season' and 'colors that come and go' symbolizes the transient nature of emotions and memories. The use of 'super-homem' (Superman) and 'festis de anis' (anise-flavored bullets) adds layers of complexity, suggesting a longing for strength and a bittersweet nostalgia.

Throughout the song, there is a sense of waiting and searching. The narrator waits 'all zen' for someone who may or may not come, and the repeated lines about 'poetry in the dark' and 'verses that come and go' emphasize the cyclical nature of hope and disappointment. The final lines, 'Every corner has a phone / Throughout the agenda letters of your name,' underscore the pervasive presence of the loved one in the narrator's life, even in their absence. This haunting presence raises questions about identity and whether the narrator is truly alone or defined by their connection to the other person.