Criminel (feat. Morad)

Maes' song 'Criminel (feat. Morad)' delves into the gritty realities of street life, where survival often means skirting the edges of legality. The lyrics paint a vivid picture of a world where money is the primary motivator, and the risks are high. Maes talks about selling drugs ('J'revends bédo, j'fais du bénéfice') and the constant presence of law enforcement ('les keufs dans les parages'). The imagery of 'la guitare et les guitaristes' serves as a metaphor for the tools and players in this dangerous game, where every move is calculated, and every mistake can be costly.

The chorus emphasizes the omnipresence of money ('que d'la money-money') and the need to stay away from criminal activities to avoid ending up in prison ('j'vesqui la central'). This duality of seeking financial gain while trying to evade the law is a recurring theme. The line 'J'sors le neuf deuspi comme un criminel' suggests a readiness to act like a criminal if necessary, highlighting the constant tension between legality and survival.

Morad's verse adds another layer to the narrative, bringing in a perspective that resonates with the struggles of many young people in marginalized communities. He speaks about the inevitability of being caught ('No parará hasta que te cogerá') and the isolation that comes with this lifestyle ('Paso mucho tiempo solo, pero no perdido'). The repeated refrain of avoiding snitches and law enforcement ('Ni chivatos, ni maderos') underscores a code of silence and loyalty that is crucial in this world.

Together, Maes and Morad create a compelling narrative that explores the complexities of street life, where every decision is a gamble, and the stakes are incredibly high. The song is a raw and unfiltered look at the challenges and moral dilemmas faced by those living on the fringes of society.