El Cocodrilo

El Cocodrilo by Maldita Vecindad y los Hijos del 5to. Patio is a vibrant homage to the cultural and historical essence of Mexico City. The song's protagonist is a ghostly 'pachuco,' a term referring to the zoot-suited subculture of the 1940s and 50s, who roams the city, particularly the Dolores Cemetery. This character embodies the spirit of a bygone era, serving as a guardian angel of the neighborhood, a figure of respect and nostalgia.

The lyrics paint a vivid picture of the pachuco's encounter with a 'cocodrilo taxi,' a classic car from the 1950s, which becomes a symbol of memory and history. As the car rolls through the streets, it evokes a sense of nostalgia among the onlookers, who reminisce about the past. The mention of iconic places like Cine Teresa and dance halls like Balalaika and Waikiki further anchors the song in a specific cultural and historical context, celebrating the vibrant social life of mid-20th century Mexico City.

The chorus, with its repetitive and rhythmic 'El Icuiricui El Sacalacachimba,' adds a playful and catchy element to the song, reflecting the lively and festive spirit of the era. The references to figures like Juan Orol, a famous filmmaker, and Tongolele, a renowned dancer, along with the mention of Pérez Prado's Mambo, highlight the rich cultural tapestry of the time. Through its lyrics, El Cocodrilo captures the essence of a golden age, blending nostalgia with a celebration of the city's enduring spirit and cultural heritage.