Como Las Violetas

Manoella Torres Manoella Torres

The Withering Violets of Lost Love

In Manoella Torres' poignant song "Como Las Violetas," the artist delves into the depths of heartache and longing. The lyrics paint a vivid picture of a love lost, using the metaphor of violets withering from neglect to symbolize the singer's own emotional decay. The violets, which are delicate and beautiful, represent the fragility of the singer's heart and the pain of being forgotten. This imagery is powerful, as it conveys the sense of abandonment and the slow, painful process of withering away without the warmth of love.

The chorus of the song is a desperate plea for the return of the lost love. The repeated lines, "Devuélveme la vida, devuélveme la vida que me robaste" (Give me back the life, give me back the life you stole from me), highlight the depth of the singer's despair. The use of the word "robaste" (stole) suggests that the departure of the loved one was not just a loss, but a theft, leaving the singer feeling incomplete and robbed of joy. The mention of laughter that was awakened by the loved one further emphasizes the transformative power of love and the void left in its absence.

The song also touches on the theme of renewal and hope, with the promise that "La primavera contigo vendrá" (Spring will come with you). This line suggests that the return of the loved one would bring a rebirth, much like the arrival of spring after a harsh winter. It underscores the idea that love has the power to rejuvenate and bring life back to what was once withering. Manoella Torres' emotive delivery and the melancholic melody enhance the song's themes, making "Como Las Violetas" a touching exploration of love, loss, and the hope for renewal.

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  1. Te hubiera conocido un poco antes
  2. A La Que Vive Contigo
  3. Canción Para Una Esposa Triste
  4. Ahora Que Soy Libre
  5. Mil Besos
  6. Gracias por amarme tanto
  7. Te Amo
  8. Buenos días señor sol
  9. La Vida Es Nuestra (Tema de la película "El Padrino")
  10. Tú te lo pierdes
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