Balada de Cómodus Viscach

María Elena Walsh's 'Balada de Cómodus Viscach' is a satirical commentary on the societal and political dynamics of compliance and rebellion. The song's lyrics paint a vivid picture of a world where conformity is rewarded, and dissent is harshly punished. The recurring line, 'En este mundo traidor, transigir es lo mejor,' translates to 'In this treacherous world, compromising is the best,' encapsulating the central theme of the song. Walsh uses this refrain to underscore the idea that in a corrupt and deceitful society, those who conform and play along with the system are the ones who thrive.

The song employs various metaphors and cultural references to drive its point home. For instance, 'El que diga basta, va a parar a la canasta' ('He who says enough, ends up in the basket') and 'El que sea opositor, va a parar al asador' ('He who opposes, ends up on the grill') vividly illustrate the consequences of standing up against the status quo. These lines suggest that rebellion is not only futile but also dangerous, as it leads to severe repercussions. The imagery of 'chimangos prepotentes' (overbearing caracaras) and 'trabajando de felpudo' (working as a doormat) further emphasizes the power dynamics at play, where the powerful prey on the weak, and submission is the path to survival.

Walsh also critiques the superficiality and hypocrisy inherent in such a society. Lines like 'No olvidés el autobombo, si querés ponerte en venta' ('Don't forget self-promotion if you want to sell yourself') and 'Defendé la rebelión que no altere la rutina' ('Defend the rebellion that doesn't disrupt the routine') highlight the performative nature of dissent and the importance of maintaining appearances. The song's advice to 'sonreíle a los de arriba' ('smile at those above') and 'criticá todo con todos, menos con los dirigentes' ('criticize everything with everyone, except the leaders') underscores the necessity of strategic compliance and selective criticism to navigate this treacherous world.