Trem Das Onze

Maria Gadú's rendition of 'Trem Das Onze' is a poignant exploration of the tension between personal desires and familial responsibilities. The song's protagonist finds himself in a bittersweet situation where he must leave his lover to catch the last train home. The urgency in the lyrics, 'Não posso ficar nem mais um minuto com você' (I can't stay even one more minute with you), sets the tone for the entire song, highlighting the conflict between his love and his obligations.

The mention of Jaçanã, a neighborhood in São Paulo, adds a layer of cultural context, grounding the song in a specific place and time. The protagonist's need to catch the 11 o'clock train ('Se eu perder esse trem / Que sai agora as onze horas / Só amanhã de manhã') underscores the limited opportunities and rigid schedules that often dictate our lives. This train is not just a mode of transportation but a symbol of the choices and sacrifices we make daily.

The song also delves into the protagonist's familial duties, particularly his responsibility towards his mother. 'Minha mãe não dorme / Enquanto eu não chegar' (My mother doesn't sleep / Until I get home) and 'Sou filho único / Tenho minha casa para olhar' (I'm an only child / I have my house to look after) reveal the weight of his obligations. These lines emphasize the cultural importance of family in Brazilian society, where familial bonds and responsibilities often take precedence over personal desires. Through its simple yet profound lyrics, 'Trem Das Onze' captures the universal struggle of balancing love and duty, making it a timeless piece that resonates with many.