Codinome

MARIA MARIA

Passion and Longing in MARIA's 'Codinome'

MARIA's song 'Codinome' is a sultry and passionate exploration of a romantic and physical relationship. The lyrics paint a vivid picture of an intimate encounter, starting with an invitation to a lover to come over, with the door already unlocked and the anticipation palpable. The setting is described in detail, from the second floor to the living room, creating a sense of immediacy and intimacy. The mention of starting in the living room if the lover prefers adds a casual yet intimate touch, emphasizing the comfort and familiarity between the two.

The song delves into the physical and emotional connection between the lovers, with MARIA expressing a deep appreciation for her partner in any attire, especially when it's easy to remove. This line is a metaphor for the ease and comfort in their relationship, where barriers are easily broken down. The repeated imagery of devouring and taming a 'loba' (she-wolf) suggests a wild, untamed passion that is both consuming and fulfilling. The physicality of the relationship is further highlighted by the lover's actions, such as holding her hair, which adds a layer of raw, unfiltered emotion.

The chorus reflects the bittersweet nature of their encounters, with the lover expressing reluctance to leave but promising to return and make up for the lost time. This cyclical pattern of leaving and returning underscores a sense of longing and anticipation that defines their relationship. The lyrics also touch on the idea of physical endurance and attraction, with references to athleticism and beauty, suggesting a relationship that is both physically and emotionally demanding. The use of 'diaba' (devil) as a codename adds a playful yet intense element, indicating a relationship that is both thrilling and consuming. Overall, 'Codinome' is a passionate ode to a relationship defined by deep physical and emotional connections, marked by longing, anticipation, and a sense of fulfillment.

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  1. Acabou
  2. Codinome
  3. Sagaz
  4. Perdão
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