Snake Eyes And Sissies
Marilyn Manson
Rebellion and Nihilism in 'Snake Eyes And Sissies'
Marilyn Manson's 'Snake Eyes And Sissies' is a raw and provocative exploration of rebellion, nihilism, and the rejection of societal norms. The song's lyrics are filled with dark imagery and metaphors that paint a picture of a character who revels in chaos and defiance. The opening lines, 'Wrench is just a household God but I carry mine with pride,' suggest a twisted sense of pride in tools of destruction, setting the tone for the rest of the song. Manson's character is not a 'workin man' but someone who takes pride in their ability to disrupt and destroy, symbolized by the 'devil's hand' and 'slacker's hand.'
The chorus, 'I ain't no workin man, I do the best I can, I got the devil's hand,' reinforces the theme of rejecting traditional work ethics and embracing a more hedonistic and destructive lifestyle. The reference to 'rolling sixes' can be seen as a metaphor for taking risks and living on the edge, while 'middle finger technology' symbolizes a blatant disregard for societal rules and norms. The line 'What's yours is mine, yours is mine, told you fucker, yours is mine' further emphasizes the character's anarchistic tendencies and desire to claim what they want without regard for others.
Manson's self-identification as 'the pedophile's dream' and 'a messianic Peter Pan' adds a layer of disturbing complexity to the song. These lines suggest a character who is both idolized and feared, embodying a twisted form of eternal youth and rebellion. The repeated phrase 'just a boy, just a little fucking boy' highlights a refusal to grow up and conform to societal expectations of adulthood. The song's overall tone is one of defiance and nihilism, challenging listeners to confront the darker aspects of human nature and societal norms.