Sacrilegious

Marilyn Manson Marilyn Manson

Rebellion and Redemption: The Dark Allure of 'Sacrilegious'

Marilyn Manson's 'Sacrilegious' is a provocative exploration of themes like betrayal, rebellion, and the questioning of religious and moral norms. The song's title itself sets the tone, suggesting a deliberate defiance against sacred beliefs. Manson, known for his controversial and often shocking style, uses vivid imagery and metaphors to challenge the listener's perceptions of faith and morality.

The lyrics open with a sense of betrayal and deceit, as Manson sings about stabbing someone in the back while they embrace him. This could symbolize the hypocrisy he perceives in religious or moral authorities, who preach love and trust but often act in self-serving ways. The reference to a 'skeleton Christ' and 'bible black' further emphasizes the dark and sacrilegious tone, suggesting a corrupted or hollow version of religious icons.

Manson's questioning of resurrection and salvation is a recurring theme in the song. He challenges the listener to consider who truly needs saving, implying that those who judge and condemn others might be the ones in need of redemption. The repeated line 'Let's get evil, I'm feeling sacrilegious' serves as a rallying cry for rebellion against conventional norms and a call to embrace one's darker, more authentic self.

The song's aggressive and defiant tone is characteristic of Manson's musical style, which often blends industrial rock with gothic and metal elements. His lyrics frequently address themes of alienation, identity, and societal hypocrisy, making 'Sacrilegious' a quintessential Manson track. The song invites listeners to question their beliefs and consider the complexities of good and evil, ultimately encouraging a more nuanced understanding of morality.

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  1. One Assassination Under God
  2. Tainted Love
  3. Sweet Dreams (Are Made Of This)
  4. Tourniquet
  5. This Is The New Shit
  6. The Gardener
  7. Fated, Faithful, Fatal
  8. Sacrilegious
  9. Coma White
  10. Death Is Not A Costume
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