La taragüisita

Mario Bofill's song 'La taragüisita' is a poignant exploration of love, loss, and nostalgia. The lyrics paint a vivid picture of a man reminiscing about his beloved, who is no longer with him. The song begins with the return of the swallows to Goya, a small town in Argentina, symbolizing the cyclical nature of life and the passage of time. These birds, having traveled far and wide, bring back memories and stories, much like the man's own reflections on his lost love.

The imagery in the song is rich and evocative. December fills the patio with daisies and the scent of jasmine, creating a sensory backdrop that contrasts with the man's deep sense of loneliness. The mention of chivatos (a type of tree) and the song of cicadas adds to the atmosphere, grounding the listener in a specific place and time. The man's longing is palpable as he describes how the mere mention of his beloved's name sweetens his mouth, a metaphor for the enduring sweetness of their love despite her absence.

The chorus is a heartfelt tribute to the woman he calls 'mi taraguisita' and 'mi curunducito,' terms of endearment that highlight her importance in his life. She is his 'dulce compañera' and 'reliquia santa,' underscoring the sacred and irreplaceable nature of their bond. The song's repetition of these affectionate names emphasizes the depth of his feelings and the permanence of her presence in his heart. Even though she is gone, she continues to inspire his music and remains a part of him 'por siempre jamás' (forever and ever).

The return of the swallows and the calls of the zorzal (a type of bird) and quespín (another bird) serve as reminders of his beloved, making the natural world a constant companion in his grief. The rain that 'mojas tu ausencia' (wets your absence) symbolizes his tears and the ongoing pain of living without her. Through these vivid descriptions and emotional expressions, 'La taragüisita' captures the essence of enduring love and the sorrow of loss, making it a deeply moving and relatable piece of music.