Blanco

Marisa Monte's song 'Blanco' delves into the intricate relationship between perception and creation. The lyrics are a poetic exploration of how our observations shape our reality. Monte begins with the line, 'Me vejo no que vejo,' which translates to 'I see myself in what I see.' This suggests a deep introspection, where the act of seeing becomes a mirror reflecting the self. The repetition of 'vejo' (see) emphasizes the importance of vision and perception in understanding oneself and the world.

The song continues with 'Como entrar por meus olhos / Em um olho mais límpido,' meaning 'As if entering through my eyes / Into a clearer eye.' Here, Monte uses the metaphor of a 'clearer eye' to signify a purer, more profound level of perception. This could be interpreted as a journey inward, seeking clarity and truth within oneself. The idea that 'Me olha o que eu olho' ('What I look at looks at me') further reinforces the concept of mutual observation and the interconnectedness of the observer and the observed.

Monte's lyrics, 'Perceber é conceber / Águas de pensamentos,' translate to 'To perceive is to conceive / Waters of thoughts.' This line beautifully encapsulates the notion that perception is a creative act. The 'waters of thoughts' metaphor suggests that our thoughts are fluid and ever-changing, much like water. The final line, 'Sou a criatura do que vejo' ('I am the creature of what I see'), ties the theme together, asserting that our identity is shaped by our perceptions. Through 'Blanco,' Marisa Monte invites listeners to reflect on how their inner and outer worlds are intertwined, encouraging a deeper understanding of the self through the act of seeing.