Cuasidelictual

Massacre's song 'Cuasidelictual' delves into the complex and often dark realms of the human psyche. The lyrics paint a vivid picture of a person grappling with their inner turmoil, using metaphors and imagery that evoke a sense of confusion and existential dread. The opening lines, 'Sin hacer más, que un movimiento / es que hoy me estrello contra la pared de atrás,' suggest a sudden and violent confrontation with one's own limitations or past mistakes. The idea of crashing into a wall and breaking through it to fulfill a dream is a powerful metaphor for overcoming personal barriers, yet it also hints at the destructive nature of such an endeavor.

The recurring theme of attempted assassination of 'a quién reiría por siempre'—someone who would laugh forever—adds a layer of complexity to the narrative. This could symbolize an attempt to destroy a part of oneself that remains unbothered or indifferent to life's struggles. The request for discretion in the execution of this act, described as 'cuasi delictual' (quasi-criminal), underscores the moral ambiguity and internal conflict involved. The term 'cuasi delictual' itself suggests actions that are on the borderline of being criminal, reflecting the protagonist's struggle with their own moral compass.

The song also touches on themes of memory and perception, as seen in the lines 'Con claridad traigo el recuerdo de los sedantes y las enfermeras / no puedo precisar, no con certeza / si era este lado del espejo o el de atras.' This imagery of sedatives and nurses, coupled with the uncertainty of which side of the mirror one is on, evokes a sense of disorientation and blurred reality. The final lines, 'Culmina ya esta busqueda, / y no se de que lado yo estaba,' encapsulate the ongoing search for self-understanding and the difficulty in distinguishing between different facets of one's identity. The song ends on a note of unresolved tension, leaving the listener to ponder the complexities of the human mind and the thin line between sanity and madness.