Em Respeito ao Vício

Matanza Matanza

The Comfort of the Bar: A Dive into Matanza's 'Em Respeito ao Vício'

Matanza's song 'Em Respeito ao Vício' delves into the psyche of a disillusioned individual who finds solace in the simple pleasure of drinking. The lyrics paint a vivid picture of a person who is deeply dissatisfied with the world around them, expressing a sense of detachment and disinterest in societal norms and expectations. The protagonist's primary desire is the 'first beer of the day,' highlighting a dependency on alcohol as a means of coping with the harsh realities of life.

The song's narrative unfolds in a bar setting, where the protagonist prefers the solitude of an empty bar over social interactions. This preference underscores a deeper aversion to human contact, as the protagonist acknowledges that even minor conflicts can trigger negative reactions. The lyrics suggest a resigned acceptance of this lifestyle, as the protagonist chooses to avoid potential confrontations and the unpredictability of fate. The line 'Eu não tiro a razão do assassino em vários casos que vi' (I don't blame the killer in many cases I've seen) hints at a cynical worldview, where the protagonist sees violence and despair as almost justified responses to a cruel world.

The chorus encapsulates the protagonist's struggle with their addiction and the comfort it provides. The phrase 'em respeito ao vício' (in respect to the addiction) signifies a reluctant acknowledgment of the hold that alcohol has over them. The protagonist's disdain for the world is palpable, as they describe it as 'horrível' (horrible) and 'gente desprezível' (despicable people). This disdain is so strong that it makes leaving the bar's comfort a daunting task. The song concludes with a sense of hopelessness and self-awareness, as the protagonist admits to possibly contributing to the world's negativity but remains indifferent to it.

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  1. Estamos Todos Bêbados
  2. Chance Pro Azar
  3. Eu Não Gosto de Ninguém
  4. O Pessimista
  5. Ela Roubou Meu Caminhão
  6. O Caminho da Escada e da Corda
  7. Pior Cenário Possível
  8. Mesa De Saloon
  9. Sabendo Que Posso Morrer
  10. Pé na Porta, Soco na Cara
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