Vida (part. Ludmilla)

Matheus Fernandes' song 'Vida,' featuring Ludmilla, delves into the tumultuous and passionate dynamics of a love-hate relationship. The lyrics paint a vivid picture of a couple caught in a cycle of intense emotions, where moments of intimacy are juxtaposed with bouts of anger and resentment. The song's narrative revolves around the paradox of feeling deeply connected to someone while simultaneously being frustrated by their actions. This duality is encapsulated in the repeated lines about making love passionately on the mattress but causing anger outside of it.

The song employs a conversational tone, with both artists exchanging accusations and confessions. Terms like 'vagabundo,' 'puto,' 'cachorro,' and 'safado' are used to describe each other, highlighting the raw and unfiltered nature of their relationship. Despite the harsh words, there's an underlying sense of attachment and dependency, as seen in the chorus where they admit to speaking ill of each other but not being able to let go. This contradiction is further emphasized by the playful yet provocative lines, 'Eu falo mal e sento, Eu falo mal e quico,' which suggest a physical attraction that overrides their verbal conflicts.

Culturally, the song reflects a common theme in Brazilian music, where love and conflict are often intertwined. The use of colloquial language and slang adds authenticity to the portrayal of a modern relationship, making it relatable to many listeners. Matheus Fernandes and Ludmilla's collaboration brings together their unique styles, blending elements of funk and sertanejo, which adds to the song's appeal. 'Vida' is a testament to the complexity of romantic relationships, where love and hate can coexist, creating a chaotic yet captivating dance of emotions.